Honkey Tonk Women

I met a gin-soaked, barroom queen in Memphis,
She tried to take me upstairs for a ride.
She had to heave me right across her shoulder
'Cause I just can't seem to drink you off my mind.

It's the honky tonk women
Gimme, gimme, gimme the honky tonk blues.

I laid a divorcee in New York City,
I had to put up some kind of a fight.
The lady then she covered me with roses,
She blew my nose and then she blew my mind.



- Released July 11, 1969

- Two versions of the song were recorded by the band: the familiar hit which appeared on the 45 single and their collection of late 1960s singles, Through The Past, Darkly (Big Hits Vol. 2); and a honky-tonk version entitled "Country Honk" with slightly different lyrics, which appeared on Let it Bleed.

Country Honk version



- The song was written by Mick Jagger and Keith Richards while on vacation in Brazil from late December 1968 to early January 1969. Inspired by Brazilian gauchos at the ranch where Jagger and Richards were staying, the song was originally conceived as an acoustic country song.

- "It's the honky tonk women" refers to a dancing girl in a western bar who may work as a prostitute.

- The song was based on Hank Williams, Sr., "Honkey Tonk Blues"



- Keith Richards: "Honky Tonk Women" started in Brazil. Mick and I, Marianne Faithfull and Anita Pallenberg who was pregnant with my son at the time. Which didn't stop us going off to the Mato Grasso and living on this ranch. It's all cowboys. It's all horses and spurs. And Mick and I were sitting on the porch of this ranch house and I started to play, basically fooling around with an old Hank Williams idea. 'Cause we really thought we were like real cowboys. Honky tonk women. And we were sitting in the middle of nowhere with all these horses, in a place where if you flush the john all these black frogs would fly out. It was great. The chicks loved it. Anyway, it started out a real country honk put on, a hokey thing. And then couple of months later we were writing songs and recording. And somehow by some metamorphosis it suddenly went into this little swampy, black thing, a Blues thing. Really, I can't give you a credible reason of how it turned around from that to that. Except there's not really a lot of difference between white Country music and black Country music. It's just a matter of nuance and style. I think it has to do with the fact that we were playing a lot around with open tunings at the time. So we were trying songs out just to see if they could be played in open tuning. And that one just sunk in." Reference

- The song is distinctive as it opens not with a guitar riff, but with a beat played on a cowbell. The Rolling Stones' producer Jimmy Miller performed the cowbell for the recording.

- The back-up vocals were provided by Reparta & The Delrons, an all-girl group in the 60's.



- The single was released in the UK the day after the death of founding member Brian Jones.